Crochet Motif

Many crocheters, frustrated by years of seeing crochet used only for the ubiquitous granny square, have been ready to throw the baby out with the bath water. Yet motifs are one of the glories of crochet. A color-playground is created while easily constructing unique shapes from the center out. I invite all crocheters to join me in seeking new ways of looking at these little wonders.
The purse in the photo represents my response to my own challenge.

Bob Dylan's Hands

"His indescribably white hands moved constantly: putting a cigarette almost to his mouth, then tugging relentlessly at a tuft of hair at his neck, inadvertently dumping the cigarette ashes in dusty cavalcades down his jacket. He would stand thinking, his mouth working, his knees flexing one at a time, right, left, right, left. He seemed to function from the center of his own thoughts and images, and like a madman he was swallowed up by them."

from AND A VOICE TO SING WITH by Joan Baez

Payin' Attention to Details

When my husband gave me a Turkish spindle for Christmas last year I began to automatically produce a beautiful center-pull ball as I spun and wound on. I learned that when I am ready to remove my cop and consider plying it, an intermediate step to pull both the inside and the outside strands from the ball and wind them into a new ball helps make the plying go more smoothly. But I kept having to ask my husband to hold the ball for me to keep it from bouncing around, especially at the end when it became lighter. A similar problem arose when I plied. One day I got out my hat with earflaps and ties, knotted the ties, hung it over my wrist, plopped a ball of unplied yarn into it, and discovered I had a new kind of distaff.
Maybe I could make something prettier and more to the point? I did, and I found myself paying a lot of attention to details, in particular at transitions, as I crocheted. When I started the sides of my yarn distaff, I worked the first round from the inside. This made it bend up from the flat bottom more easily. When I changed the color and started to work in a row of bobbles, I also worked from the inside, allowing the bobbles to pop out on the outside. I made my bobbles with only two double crochets each so they would be more subtle. I expected to make only two rows between my bobble rows for a balanced look but found I needed three and, voila, I could work the second row of bobbles on the inside also! I finished the body of my distaff with a variation of the crab stitch. A silky lining, a balanced, corded handle and a loop and button (to guide sticky strands) and I was ready to make another to post on Etsy.

Showing My Stripes

I almost always carry a small, drawstring shoulder purse that my mother gave me. The truth is that I was the ungrateful recipient of a gift that has served me well. The poor little thing has evenly spaced multicolored stripes and the first thing I noticed was the misfit of two colors with the rest of the colorway. Yet its size and shape are practical and lightweight. Cashiers rarely fail to remark about how cute it is. That I thought I could do a better job has come home to me. Today I put these three mini shoulder purses up for sale on Etsy. Each was an experiment in stripes. The green purse was worked in textured stripes of back and forth rows alternating with continuous rounds. Consciously spaced rows of pastel stitches give the effect of a flower garden. The blue, purple and pink mini hobo bag is an experiment with single-row color stripes worked back and forth in a tube. And the chevron striped stitch pattern of the last purse automatically shape shifts the colors. What fun! I'll probably carry my little misfit shoulder bag until it falls apart but I hope someone else will enjoy traveling light with well-chosen stripes.

Fingernails as Fiber Tools

Last night I read that our fingernails are made up of flat, dense, dead cells that grow from specialized cells underneath and below our cuticles. As these cells move forward, they change and harden into a kind of protein called keratin. Human beings and most primates have fingernails. My author says that the main function of our nails is "to provide both a rigid backing and a protective carapace for the pulpy fingertip,...." He goes on to joke that people who bite their nails are depriving themselves of a "built-in tool kit of cutters, pliers, scrapers and screwdrivers." This makes me think of the way I use my nails as I pursue a variety of fiber crafts. My fingernails act as needle-nose pliers when I pick bits of seed and hay from wool that I am preparing to spin. It is also my nails that pinch out nubs from a yarn single in progress and create a smooth, finished yarn. When I crochet, I use my nails to tighten the starting knot after the first loop is on my hook and, often, I push a loop of a previous stitch out of the way with the tip of my nail as I pull a new loop through. This morning, while taking a stitch, I guided the point of my sewing needle up onto a fingernail to keep the point of the needle from catching in the knit fabric of a stuffed toy. I've gone from seeing my fingernails as something to constantly trim, to seeing them as my own specialized tool kit!

Springtime Inspiration

Visual inspiration is everywhere whether we are looking at a soul-stirring sunset, the veining pattern of a leaf or manmade items such as a fine art-glass vase or the detailing on a restored Victorian house. This month, I am charmed, as always, by lacy springtime leaves, early flowers and preliminary excursions through seed catalogues. My imaginings for gardening and landscaping around our new home prompted me to write a short piece that compares crochet work to the gardening process. You can find it in the new issue of Crochet Insider (http://crochetinsider.com/article/cultivating-your-crochet-garden) along with my original pattern for a crocheted zinnia to be worked in number 3 perle cotton.

Sisters of the Cloth

Knit and crochet have something special in common. Each can be worked from the starting end of a ball, skein, cone, or other supply source until the supply runs out. To realize how important this idea is, think of how, when you sew, you must cut a length of thread, knot the end, and then pull the entire length through the first stitch until the knot catches. Each consecutive stitch requires that the remaining length be pulled up. Not so, when you knit or crochet!
I got excited while I was writing Contemplative Crochet and reading about the Turkish lace-making craft of oyasi. My author said that early oyas (edging lace on fabric) were needle-made but that after crochet was introduced, many were worked with a crochet hook. I remembered seeing a bit of what looked like knitted i cord from South America in a museum and noting that the label said it was made with a needle. I was incredulous. But it's true; the origins of stretchy fabrics come from, none other than, the original, primitive and simple, sewing needle. Recent understanding of and resurgence in the craft of nalbinding add another piece to the puzzle. With nalbinding, shorter lengths of thread or yarn were spiced in to create the looped fabric that was needled into ancient versions of socks, mittens and hats. The needle is the Mother-of-All and her work is recognizable by her short lengths.
Over the course of history, we have created many variations of: needle, shuttle, and bobbin. But with the invention of first knitting, and then crochet, there was literally no stopping us, especially no stopping to cut, splice, wind or thread and no pulling through, trying to avoid tangles until the end of the strand was snug.